Artemisia Gentileschi - 1979 Words

Introduction Two years ago I went to an exhibition in Milan titled: â€Å"Artemisia: storia di una passione† (â€Å"Artemisia: history of a passion†). The exhibition was sponsored by the Assessorato alla Cultura of the Comune of Milano and curated by Roberto Contini and Francesco Solinas, with the scenographic and theatrical work of Emma Dante. Artemisia Gentileschi (Rome 1593 - Naples 1652/53) was a Roman painter, daughter of the painter Orazio Gentileschi and Prudenza Montone (who died when Artemisia was twelve). First of six children (all males), at a very early age was initiated to painting by her father, a follower of Caravaggio. In 1612 began the rape process, marked Artemisia’s entire life. She was fifteen years old and her rapist,†¦show more content†¦After the rape and its process, that caused a big stir at the time, Artemisia - probably trying to make the situation less heavy - married the Florentine Pierantonio Stiattesi and moved to Florence. She travelled a lot between Rome and Florence, creating a series of works - like Mary Magdalene and Judith and Holofernes by Pitti Palace – in which the influence of her father is evident. In 1621 she left Florence with her father to go Genoa. The following year she returned to Rome and remained there for three years. In 1627 she moved to Naples, where her works were strongly appreciated. Also, Artemisia had the opportunity to establish fruitful cultural exchanges with local painters such as Bernardo Cavallino, Massimo Stanzione and Francesco Guarino. The influence of the naturalistic current, in vogue at the time in Naples, becomes overwhel mingly present in the works of the period (Judith and her maid, Bathsheba Bathing, Birth of John the Baptist and Stories of San Gennaro). Between 1639 and 1641 she went to England to assist the elderly and ill father until his latters death, working on several occasions for the court and the aristocracy. Talking about the Roman artistic environment of the early seventeenth century we can not forget to mention the conservative atmosphere created after the Council of Trent (1545-1563 ). The articles relating to the discipline in the field of visual arts were focused on the moral andShow MoreRelatedArtemisia Gentileschi2144 Words   |  9 PagesArtemisia Gentileschi the Renaissance Feminist Artist Manuel Hernandez Devry University Abstract Why exactly is Artemisia Gentileschi considered an early feminist? Doing a brief search and looking into her artwork, even for a brief amount of time and you quickly see why she was considered so. Her gender as well as the things she went through and experienced in her life heavily influenced Artemisia Gentileschi’s artwork. Some of the more famous and controversial paintings focus on females asRead MoreRenaissance And Artemisia Gentileschi ( Baroque )1978 Words   |  8 PagesLane---Sofonisba Anguissola (Renaissance) and Artemisia Gentileschi(Baroque) The renaissance began in Italy from the 14th to the 16th century, and was followed by the baroque period which roughly was between 16th to 17th century, each revolutionized the period prior. This is perfectly represented by two very different and yet very similar artists: Sofonisba Anguissola and Artemisia Gentileschi. Though one more so paved-the-way for the other, there connection appears to have nearly materialized outRead MoreThe Life of Artemisia Gentileschi1131 Words   |  4 PagesLife of Artemisia Gentileschi Italian Baroque painter, Artemisia Gentileschi was born in Rome on July 8th, 1593. Her father Orazio Gentileschi, who was a painter himself, introduced Artemisia to the art of painting by giving her lessons in his studio. At an early age, Artemisia displayed her interest in art and it wasn’t long until her father noticed potential in his daughter enough that she would be able to make a name for herself in the male-dominated career. Artemisia had the desire to followRead MoreArtemisia Gentileschi Essay1792 Words   |  8 PagesArtemisia Gentileschi (1593-1653) Considered one of the most important artists of the Baroque movement in Early Modern Europe, Artemisia Gentileschi, had to prove herself and break down the boundaries for a woman in a male dominated field. Artemisia was born in Rome on July 8, 1953 to Orazio and Prudentia Monotone Gentileschi, who died when the artist was only twelve years of age. Her upbringing was left to her father, who was also a well-known painter. He trained her since she was not permittedRead MoreArtemisia Gentileschi, Venus and Cupid956 Words   |  4 PagesMariam Ahmad Art History 102 April 28, 2011 Artemisia Gentileschi, Venus and Cupid, ca. 1625-30. Oil on canvas, 38 x 56 5/6 inches. Virginia Museum of Fine Arts, Richmond, VA. Artemisia Gentileschi’s Venus and Cupid is a painting of an angel caressing a woman resting on the bed. In actuality, the painting is about Venus, the Goddess of Love, who is asleep in a very luxurious and classical environment. While she is asleep, Cupid diligently wields a peacock-feathered fan to keep away pestsRead MoreThe Life of Artemisia Gentileschi, Baroque Painter Essay528 Words   |  3 PagesThe Life of Artemisia Gentileschip Artemisia Gentileschi is believed to have been born around 1593 and died around 1652. nbsp;Both dates are disputed to the current day. nbsp;She was one of five children and was born into the life of an artist. nbsp;Her father, who was an artist as well, loved her greatly. nbsp;Her mother died when she was twelve. nbsp;Artemisia was always a skilled painter, but her father wanted even more for her daughter. nbsp;While her works were already amazing for herRead MoreThe Renaissance Period And Artemisia Gentileschi Of The Baroque Period2173 Words   |  9 Pagesmale artists, female artists did, in fact, make significant contributions to their respective art movements. This paper will discuss and compare the lives and works of two Italian painters: Sofonisba Anguissola of the Renaissance period and Artemisia Gentileschi of the Baroque period. Sofonisba Anguissola Sofonisba Anguissola was born between 1532 and 1535 to Bianca Ponzona and a Cremonese nobleman name Almicare Anguissola, and she was the oldest of six daughters and one son. In the past, women wereRead MoreThe Grand Canyon, A Landscape Made From Mixed Media1291 Words   |  6 Pageswalls they have contacted regarding the media they have used and the art they created. Rose Eager was an artist who created works that were made of multiple media on a textured canvas. Our textbook explains how some female artists such as Artemisia Gentileschi, has their work ignored because of their gender. This was a seventeenth century artist, Eager, however was born in 1933. Eager began getting into art after her nursing career, and she excelled in art programs she was involved in. Feminism criticismsRead MorePower And Power In Judith Slaying Holofernes By Artemisia Gentileschi1154 Words   |  5 Pagesuncommon themes in art, however, few paintings depict bloodshed and power with such resounding naturalism as Artemisia Gentileschis work titled Judith Slaying Holofernes. The work is an oil on canvas completed in the Baroque era sometime between 1614 to 1620, and depicts Judith and her maidservant holding down the struggling Holofernes as Judith pulls a sword through his neck. Gentileschi utilizes a combination of chiaroscuro and diagonal lines to not only create the lifelikeness and drama of theRead MoreEssay Judith and Maidservant with the Head of Holofernes1057 Words   |  5 PagesI had never heard of the artist Artemisia Gentileschi before this introductory Art course. Of all the paintings and sculptures found within the book, it was her work that s tood out and spoke to me. Judith and Maidservant with the head of Holofernes is a particularly rich oil painting by the Italian Gentileschi, painted circa 1625 Europe. Her large canvas measures 72 and 1/2 inches by 55 and 3/4 inches and began as a biblical story telling inspiration come to life within the oil. Located at the